Artist Statement

​As a Harlem-born filmmaker, my work is rooted in authentic storytelling that illuminates lives and communities often sidelined in mainstream narratives. I am especially drawn to the resilience, unity, and transformation within stories that go unnoticed—particularly within the Black community, which is frequently misrepresented as a monolith. My films seek to celebrate the diverse perspectives and rich textures of Black experiences, encouraging viewers to look beyond the surface and engage deeply with lives that reflect a wide spectrum of humanity.

 

My approach is defined by a collaborative process with my subjects; I believe that documentary filmmaking is an act of connection and empathy. As I film, I actively learn about my subjects, shaping each project into a partnership where their voices and perspectives are central. This collaboration informs and inspires the film, guiding it toward an honest and resonant representation that honors the subject's experiences. The ultimate goal is to inform and inspire, creating films that capture the essence of communities in motion and bring attention to voices that deserve to be heard.

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Each project I undertake is purpose-driven, amplifying histories, struggles, and triumphs that shape these communities. In Showtime, I capture the dynamic energy of street performers; in KINGDOME, I highlight the legacy of a Harlem basketball tournament and its impact across generations. In For Those That Lived There, I explore themes of gentrification and displacement in Chicago’s Cabrini-Green neighborhood, revealing the deep ties between memory and place as echoes of what once was.

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Through careful attention to detail and a commitment to authenticity, I aim to create films that not only tell stories but also challenge viewers to reflect, question, and find meaning in the lives of others. My work strives to foster dialogue and understanding, bridging divides and inviting audiences to see beyond their own experiences into the lives of others.